MENU
  • Submission of a project to Atelier Graphoui’s Selection
  • Call for projects aimed at African artists (Residencies)
  • Labs & Residency at the Atelier

Submission of a project to Atelier Graphoui’s Selection

Atelier Graphoui’s objective is to host and help young authors, filmmakers, artists and producers in the realization of their film. We support original artwork that is based on research and experimentation. We pay special attention to projects that are breaking the boundaries of the medium and mixing genres. In order to better understand our sensibilities and artistic approaches, consult our online film catalogue and ongoing projects.

Atelier Graphoui commits to support each project, with all its uncertainties and early failures. We are present from the beginning and will continue through the maturation process, and until its finalization. Contact us as early as possible on the project. Before submitting any project, you can get in touch with the production manager. At that point, our objective is to anticipate the number of applications we will examine, and to redirect the requests that don’t fit in to our structure as soon as possible.

CONTACT : Ellen Meiresonne – em (at) graphoui.org

CALENDAR : Next Submission end 2025

SELECTION METHOD :

Atelier Graphoui preselects 15 dossiers for the final selection. Project manager will be notified by email of their preselection.

Then, a rapporteur will contact the authors of the 15 selected projects to clarify the “grey areas”.

The Atelier Graphoui’s Selection then will make its decision.

ELIGIBILITY REQUIREMENTS

– The author(s) must reside in Belgium.
– Priority will be given to first or second films
– Creations including moving images in a cross-genre approach and with a hold on the real world will be given priority: documentaries with animated sequences in their broadest sense, animated short films, experimental films (no fictions in the narrower sense)
– As part of our residency program in partnership with Africalia, Afro-descendant authors can also apply for an artistic residency, in partnership with an African audiovisual artist. In this case, please add a one-page maximum motivation if you think you’re eligible (see also the call for residencies for African artists).

MODALITIES OF THE FINAL DEPOSIT (COMPLETE DOSSIER)

The Atelier Graphoui holds a Selection panel to analyze and select from the different requests for support. What is important is to give us a preview of your project.

Your request shall be presented as a dossier of maximum 10 pages including:

– Your specific request adressed to Atelier Graphoui ;
– A short summary of the project (1page maximum) ;
– A letter of intention explaining the personal motivation (what is the connection between the author and his/her project and his/her point of view) ;
– A memo presenting the intentions in terms of form with regard to the content of the project ;
– A memo on the project feasibility (agenda, modalities, process, planned collaborators and partners, potential funding …);
– The author and producer’s CV…

Any other additional information, which is optional, and shall not exceed 12 pages:

– An explanation about the continuity or the structure, in the form of a text, a way to tackle the topic, a scenario, a storyboard, a spotting reporting, …;
– Various documents illustrating the project (rushes, sketches, pictures, previous films…)

The inclusion of the project on the Selection panel’s agenda will be effective immediately after reception :
– 1 digitized version (.pdf) at the following address: projet (at) graphoui.org
– 2 printed copies (addressed to the Atelier Graphoui : 114, Boulevard Emile Bockstael – 1020 – Bruxelles – Belgique)

 


Call for projects aimed at African artists (Residencies)

Call for projects for a 1-3 month residency in Brussels for short film projects combining a documentary approach with an animation technique.

Next application deadline : between June 15 and September 14, 2025

Before submitting, please contact the production manager for pre-registration : Ellen Meiresonne – em (at) graphoui.org

Atelier Graphoui (based in Brussels, Belgium) is an audiovisual laboratory open to experimentation and research, welcoming and supporting filmmakers who claim a singular cinematographic language on the edge of genres and forms.

Since the 1990s, Atelier Graphoui has collaborated with partners and artists from the African continent active in the fields of visual arts, cinema and video. Since 2016, Atelier Graphoui has been one of seven Belgian cultural operators partnering Africalia. As part of this collaboration, we welcome 1 sub-Saharan African artist in residence each year.

These residencies involve the provision of working space and appropriate equipment for each stage of production, as well as individual support for the project. Costs associated with a stay in Belgium, including airfare, visa and other residency-related expenses, are covered by the grant.

3 POSSIBLE WORKING STEPS

1. Development, research and writing :
During a residency of up to 1 month, we can accompany you in a writing project. Starting from an idea and a strong intention, we propose to develop the script through writing workshops, while experimenting with animation techniques.

2. Filming – Animation studio :
During a residency of up to 3 months, we will work with you to develop an animated language (cf. showreel below) and help you draw up the animated shots required for your film project, as well as shooting any documentary shots that can be produced in Belgium.

3. Post-production (editing, sound editing, mixing) :
During a residency of up to 2 months, we’ll do everything we can to finalize your film project as far as possible, based on the rushes and ideas in your suitcases.

CRITERIAS

– The author(s) must be resident in sub-Saharan Africa and have a video or visual arts practice that they wish to set in motion.
– Submit a short film project (max. 20 min.) based on a documentary view of the world around us, including one or more animated sequences (all techniques included).
– Be of legal age, able to obtain a visa subject to a letter of invitation, and able to travel alone.
– Choose the stage of work (see working steps above) that will be the subject of the residency.

REQUIRED DOCUMENTS

The most important thing is to give us an idea of your project and your relationship with the subject (what you want to explore, using which works or practices for visual artists).

The application must include :

– The online application form (available from June 15, 2025)

– A video presentation between 5 and 8 min maximum, to be sent to project (at) graphoui.org or via a link to YouTube, Dailymotion or other platforms. Explain who you are and your project. Explain concretely how you think our workshop could be useful to you, and present your formal intentions with regard to the project’s content (how the style and form of the project will be). Do this in a brief, summarized form (pitch).

– Appendices, to be sent to project (at) graphoui.org. Various documents illustrating the project: script, storyboard, location scouting report, mood board, rushes, drawings, photos… + the author’s CV (and the producer’s CV if there is one).

In preparation for your application, consult our film catalog and current projects to gain a better understanding of our sensibilities and artistic approaches.

Links : Catalog / Info on Africalia

SELECTION METHOD

Atelier Graphoui pre-selects 5 submissions for the reading committee. The authors will be notified by e-mail of their pre-selection.

A rapporteur then contacts the authors of the 5 selected projects to clarify any unclear points.

The reading committee then gives its final opinion.

SHOWREEL


Labs & Residency at the Atelier

By « laboratory » we intend to set up an experimentation space which opens possibilities. This space offers to those interested the occasion to test and exchange the results of their processes.

We mean productions likely to associate different forms of moving pictures : real pictures, drawings, collage, abstraction, numerical experimentation… Various supports and mechanisms can be considered in accordance with the nature of the project : projection in a room or outdoors, installation within the framework of exhibitions, analog or film projections, web or interactive forms… These multiple approaches shall rely on an artistic approach rooted in the real world or an experience on the ground. They will unfold over time by articulating practice and thought around a central question or a starting theme.

More information on our “Labs” page : www.graphoui.org/labos (FR)

Within this framework, we can offer :

– A residency  based on the projects’ needs and the time necessary for research
– A working space in the Atelier Graphoui animation studio
– The equipment necessary for the research period
– Moments of guidance with Atelier Graphoui team
– Punctual meetings with other resident artists
– Periods of collective workshops
– Documentation material (video and book libraries)

 


 

  • Expérimentation sur... 2025
  • La photo 2025
  • Ramallah, Palestine... 2025
  • Biennale Lubumbashi... 2024
  • Make it look real 2024
  • Radio Marie-Christi... En cours
  • Kouté Vwa 2024
  • Après le Bruit 2024
  • The Anchor 2024
  • Dat is mijn verdriet 2024
  • Chants pour un ranc... 2024
  • Michel Goyon en Labo 2024
  • Bouge ton chicon 2024
  • (collecte de) Trace... 2024
  • Ma Maison Ambulante... 2024
  • L’oignon ... 2024
  • La dernière à se co... 2024
  • Ailleurs de Pierres 2024
  • Marion or the Metam... 2024
  • Brodons nos histoires 2024
  • Mea Culpa 2024
  • Un type qui se cogn... 2023
  • Domus de Janas 2023
  • Voyage Culinaire : ... 2023
  • Mone n’djon, une ro... 2023
  • Villa Madjo 2023
  • Tu M’Ecoutes 2023
  • Images d’archives 2023
  • Tales from the Source 2023
  • Sie 2023
  • La force diagonale 2023
  • GPS Signal lost 2022
  • Corps et Voix 2023
  • Victoire Karera Kam... 2023
  • Agnès Lalau en Labo 2023
  • (collecte de) Trace... 2023
  • Dis moi ce que tu m... 2023
  • Ecriture et créatio... 2023
  • (collecte de) Trace... 2023
  • Voyage culinaire / ... 2023
  • Ma Maison Ambulante... 2023
  • Özge Akarsu en Labo 2023
  • Zero 2023
  • Salt in water 2023
  • Entre-temps. Le sil... 2022
  • NO 2022
  • Des bruits dans la ... 2022
  • Cuisine et gravure 2022
  • Ecritures d’i... 2022
  • Spectre 2022
  • Wild Women 2022
  • Leatherback 2022
  • Dîyi mu diyi 2022
  • Clara Bensoussan Di... 2022
  • of Gates and of Des... 2021
  • Construction d’un b... 2022
  • “Dispositifs ... 2022
  • Gravure & Anim... 2022
  • Nelly’s memory 2021
  • 7 jours / 7 2021
  • Jeu Vide-a .02 2021
  • CACHé 2021
  • Likang Litom-bé 2021
  • Un poème du souffle... 2021
  • Karine Birgé en Labo 2021
  • Rotoscopie 2021
  • L’AERoFAUNE 2022
  • La Restanza 2021
  • 24h d’animation et ... 2021
  • La vérité en vrai! ... 2020
  • De Schaduwwerkers 2021
  • Histoires d’e... 2021
  • Atelier Sténopé 2020
  • Beyond the Blue 2021
  • Oui, je le veux 2020
  • Kelasi 2021
  • Pass à l’Acte 2020
  • Au bout du fil l... 2020
  • Dessine-moi ton con... 2020
  • Terres Humides R... 2020
  • Le Paquebot / De Oc... 2020
  • Parolier 2020
  • Niayes Thiokers : l... 2020
  • Haut les Masques ! 2019
  • Fil(m)agique 2019
  • Tagebau Garzweiler 2020
  • Ambassadeur des pou... 2019
  • Ceci n’est pa... 2019
  • Et la lumière fut e... 2019
  • Mouvements d’identités 2019
  • Théodora Ramaekers ... 2019
  • Dakar-Bruxelles-Lab... 2019
  • La Léa dans le Viroin 2019
  • Machini 2019
  • Ma vie de super-héros 2019
  • Jeu Vide-a 2019
  • Astrid Bode en Labo 2019
  • Radio Yourcenar 2019
  • My Paper Life 2022
  • Palimpsest of the A... 2018
  • Extinction de l’espace 2018
  • Lab’Eau O Bord De L’O 2018
  • Charge($) Déraisonn... 2018
  • ERG en Labo 2018
  • Revelationtwikkeling 2018
  • Enfants modèles 2018
  • A l’endroit, ... 2018
  • Place Béthléem 2018
  • A Dreamed Love 2018
  • Lalla Buya, Voix de... 2018
  • Message de Gaza 2017
  • Néant fossile / Nih... 2017
  • The yellow Mazda an... 2018
  • China ‘87, the others 2017
  • L’atelier du callig... 2018
  • This is a hotel, no... 2018
  • Lobi Kuna 2017
  • Rosa, la vie en rose 2016
  • Radio Syria 2017
  • Who are you october? 2017
  • Cinema en atelier 2017
  • L’Image_materielle 2017
  • Pungulume 2016
  • Les enfants de la p... 2016
  • A travers le fenêtre 2016
  • Donna Haraway : Sto... 2016
  • Belle de nuit 2016
  • A Sea Change (Een i... 2016
  • After Death, After ... 2016
  • Femme de la forêt 2016
  • Nina 2016
  • Sitation Dévirrant 2014
  • Appel 2015
  • Chronique courtisane 2015
  • Walter Hus, vent d’... 2015
  • Rosa, plongée en Ab... 2015
  • Jusqu’où nous... 2015
  • De Lola à Laila 2015
  • Sans terre, sans dr... 2015
  • La Bataille de l’Ea... 2015
  • Place des femmes &#... 2015
  • Shaking Brussels 2014
  • Kijé 2014
  • Lou Bëth Xayma 2014
  • Heures douces 2014
  • Wilson y Los Más El... 2014
  • Corps Perdu 2013
  • Poils 2013
  • Après nous, ne rest... 2013
  • The Joycean Society 2013
  • Loul d’Odouppe 2013
  • Do you Remember? 2013
  • Doumadem, Ellipses ... 2013
  • Ecoutes Mutu’elles 2013
  • Ni kuruka Maisha 2013
  • Grattage pellicule 2014
  • Water Music 2013
  • Says 2014
  • Le Courrier des Enf... 2013
  • Entre violence et e... 2014
  • Stop Motion! 2013
  • Bascule 2014
  • Une ferme entre chi... 2014
  • Decision Pending 2014
  • Out of space 2013
  • Lame de fond 2013
  • Win for Life 2013
  • Quartiers libres 2013
  • Lost and Found 2013
  • Marcher comme sur d... 2013
  • Clara & la gra... 2013
  • Journal 2013
  • Les statues parlent... 2012
  • Femmes dans la guerre 2012
  • Ma peau aime 2012
  • La forêt de Kaptus 2012
  • Inven/terre 2011
  • Le vent des parents 2012
  • L’écho de la ... 2012
  • Ombres et lumières 2012
  • monsTerre 2012
  • Qu’est-ce qui... 2012
  • Songe 2012
  • L’épaisseur des mur... 2012
  • Pygmées de la route 2012
  • A ciel ouvert 2011
  • Mer emporte en demi... 2011
  • Printed Matter 2011
  • Le désordre alphabé... 2011
  • GAMS Belgique 2011
  • Paysages Sonores 2011
  • YEFF ! Song VJam 2011
  • Bouts d’histo... 2011
  • J’annonce 2011
  • La chanson d’... 2012
  • Cheveux rouges, caf... 2012
  • A Philosophy of Clo... 2012
  • Laar 2010
  • Dissonant 2010
  • Ca rime et ça rame ... 2010
  • Dame, poussières 2010
  • Hommage aux artistes 2010
  • Makasi 2010
  • w!! 2010
  • EXIT 2011
  • Ce que peut le lion 2011
  • Poule Mouillée 2011
  • Interno 2010
  • Feral Nako 2008
  • Comme une envie de ... 2008
  • Méandres 2009
  • Majjudo (Lost Man) 2009
  • Riding Along 2009
  • Nous n’irons pas pl... 2009
  • Comptines en voyage 2010
  • Entre-voix – ... 2010
  • Générique Coup2Pouce 2010
  • Territoires sonores... 2010
  • Etrange étranger 2010
  • Campus Plein Sud 2010 2010
  • Disorient / Désorie... 2010
  • Blue Meridian 2010
  • Heures animées 2010
  • La montagne me parle 2010
  • Sept plasticiens en... 2002
  • Toi, à une image près 2002
  • Moi aussi je suis j... 2002
  • Villafricastad 2003
  • Plasticiens en mouv... 2003
  • Président Noir 2003
  • Rue des vieillards 2003
  • L’île 2003
  • Speculafabulation 2004
  • Container 2004
  • Bureau de réclamations 2004
  • Maux-dits 2004
  • Petit tour au grenier 2004
  • Douche froide 2004
  • Tiga au bout du fil 2004
  • Can‘86 2004
  • Rétroviseurs 2004
  • Mi historia es tu h... 2005
  • Entre deux cadres 2005
  • Bess Bobu 2005
  • Coup foireux 2005
  • Déesse mère 2005
  • Avatars 2005
  • D’une rive à l’autr... 2006
  • Gens du Petit Château 2006
  • Les mains de la ter... 2006
  • De nous, cartes pos... 2006
  • D’un trait 2006
  • Le retour des 4 fil... 2006
  • Autour de chez moi 2006
  • Sannou la Belgique! 2007
  • Chants d’elles 2007
  • ¡EPA TÚ! 2008
  • Natation hivernale 2008
  • Zinneke Parade 2008 2008
  • Stimi 2008
  • Gare aux princesses 2008
  • Devine mon quartier 2008
  • Night Queen 2006
  • Quel est votre proc... 2001
  • Art et développement 2001
  • Rêves irrévérents 2002
  • Visages 2002
  • Corps d’univers 2002
  • Elle et lui 2002
  • Un visage 2002
  • DAS – Mon école 2002
  • Tiga guérisseur 2000
  • L’immeuble congelé 2000
  • D’une rue à l’autre 2000
  • Aline Sitoë Diatta 2001
  • Noir 2001
  • Isla 2001
  • Rakire 1998
  • Kal 1998
  • La belle saison des... 1998
  • Ville vue de haut c... 1998
  • De quel côté 1999
  • Deux cafés l’addition 1999
  • La rue qui court 1999
  • Bokk Jom 1999
  • La tour noire 1999
  • Du coq à l’âme 1999
  • Workshop William Ke... 2000
  • Train train medina 2000
  • Mines d’images 1995
  • Carnet Noir 1996
  • Le héros à la bosse... 1996
  • Le puits 1997
  • Le film d’animation... 1997
  • Mémoire Oralité Tra... 1997
  • Regards sur la foule 1997
  • Je déclare la guerr... 1997
  • à nos frères ruandais 1997
  • Rogom (Naissance) 1997
  • La forêt malade 1998
  • Les princes de la rue 1992
  • Univers 1993
  • Cerise 1993
  • Il faut que je me s... 1993
  • L’enfant terrible 1993
  • Quel enfant! 1993
  • Cave Canem 1994
  • Petits tableaux 1994
  • L’expérience de Dossou 1995
  • Vuk (Le loup) 1995
  • Hans et Anna 1995
  • Studeni 1992 Sarajevo 1995
  • Birobezo 1991
  • L’architecte 1987
  • Mômimages, le monde... 1988
  • La flûte en bois de... 1988
  • Fritz Lang, dessins... 1989
  • Un dimanche pas com... 1989
  • Storyboard, du papi... 1989
  • La chanson perpétuelle 1989
  • Mômimages Zaïre 1989
  • Les enfants aussi&#... 1990
  • Histoires burundaises 1991
  • Voir comment nous o... 1991
  • Le crapaud chez ses... 1991
  • Rue de la perle 1991
  • Dnalor et Engamelrahc 1992
  • Le crapaud et L’Ora... 1992
  • Kinshasa septembre ... 1992
  • La métamorphose de ... 1992
  • Rocky Two 1985
  • L’arrosoir ensorcelé 1986
  • Pulcinella 1986
  • Naufrage 1986
  • L’usine de Bazouqa 1986
  • Pas de panique, les... 1986
  • Carnaval 1986
  • Rue de la Bombarde 1983
  • L’égoût 1983
  • Le mystère du jardi... 1984
  • Le grand circus mon... 1984
  • Quatre à voyager 1983
  • Lionneries 1982
  • Labo Covo En cours
  • Mozalisi En cours
  • EJO En cours
  • La Haine En cours
  • Meta Zoé En cours
  • Cacao En cours
  • Out of the picture En cours
  • Young Professionals En cours
  • La Langue du Jasmin En cours
  • The Circle of Memory En cours
  • Trois hivers (Les i... En cours
  • Herdades En cours
  • The Magic City – Bi... En cours
Atelier Graphoui
  • Catalogue
  • Supports
  • Labs
  • Radio
  • Agenda
  • About us
  • Contact
  • Fr
  • En

 

Atelier Graphoui
© 1979 – 2024